Took a short break from my current series of portrait projects to pull a few images from the archives for some creative consideration. These architectural compositions were discovered while spending an afternoon wandering through San Francisco. Late afternoon light fell between the buildings, bouncing and glittering from one wall of glass and steel to another. As someone who spends relatively little time in larger urban spaces, I find the similarities in structure to be remarkable, as the man-made landscape often echos the world in which it is built.
Perhaps it’s a result of having grown up a pilot’s daughter, but I have always adored the look of the world in miniature. That we also had an N-gauge model train layout in the garage probably confirmed for me the surreal pleasure of a giant’s perspective across landscapes of small structures and tiny figures.
I know it is regarded by many as a fad mostly used by advertisers, but tilt-shift photography always satisfies that familiar childish joy of mine, because it allows our minds if only for a moment, to view the world as though it were made up of toys.
Photography being a rather expensive endeavour, my dreams of a tilt-shift lens to fully explore this unusual perspective will have to wait. Luckily there is the digital darkroom, and an online world full of photography tips and tilt-shift tricks. Learning this new (and easy) workflow prompted me to attack my archives with something different in mind, and photos I might have passed over the first time have been given new life through the use of a different perspective. I’m already thinking of the next scenes I’d like to try the tilt-shift effect on…