From recent travels to California, these vivid yellow pincushion protea flowers stood in bright contrast to their dark green foliage. Spotted while on a waterfront walk in Monterey, with blustery spring showers and fast-moving clouds overhead, these fresh blooms were a welcome colourful reminder that spring is just around the corner.
Wandering the streets of San Francisco with a camera has always been a rewarding experience; along with being an interesting, often picturesque urban environment, there is endless opportunity for the unexpected.
This is a favourite image from my archives, captured on a relaxed summer afternoon of city exploration. I had never ventured far into one of the commercial complexes near the Embarcadero Plaza, and was wandering through the network of bridges and walkways that linked shops and restaurants in a canyon of office buildings and hotels. At one crossing of paths, I noticed a stairway leading down to the level below, and paused to admire the echo of form, texture, and tone in the large fern that grew in the curve of the stairs.
While composing the frame and trying to balance shapes and leading lines, a woman walked down the stairs, and as she reached the bottom I captured a single frame. I had not planned on the human element, but I love how it adds a sense of motion to an otherwise static scene. In black and white, the texture and tone of the mosaic floors and fern become more cohesive, and the spiralling, circular structures of concrete, plant, railing and tile frame and compliment each other, tying it all together.
This image is included in my Black and White Prints collection, and offers both architectural interest and a timeless moment full of details that invite reflection.
Sharp red thorns, pale green leaves, catching and shaping the bright New Zealand sun in the Wellington Botanic Garden. The variety of geometric shapes and contrasting textures make an agave plant particularly appealing to photograph, and in this image I sought to balance the light and shadow throughout the frame, highlighting the repeating pattern of the scalloped and pointed agave leaves.
This image is the newest print offering in my Botanical Prints gallery, available as a fine art archival print, Giclée Canvas Wrap or Bamboo mounted print. Every print is made to order and custom options are always available; for more information about my print production and finishing options, please visit my Fine Art Print Info page.
At Kennedy Space Center, I entered the building housing the remarkable Saturn V exhibit, and looking up, this is the first thing I saw; intricate, astounding engineering on an enormous scale. I love this image, because I can remember that moment of awe, and every time I look at it I notice some new arrangement of shapes and mechanics, textures and tones.
Even more incredible, this is Stage 1 of a rocket that took mankind to the moon, and it is entirely built by hand. I admire such workmanship, and understand that it took many talented minds and hands to assemble such a feat of engineering.
My digital black and white images are all tuned “by hand” as well – I do not use plugins or presets, and instead rely on my own sense of tonality, contrast and composition to bring a certain mood and focus to each photo. It is a labor of love, and as a result this image has proven to be quite striking as a large print.
Some places have a special kind of nostalgia, often unexpected and off the beaten-path. San Francisco’s Fort Point National Historic Site offers many angles on both the water and striking architecture, from a strategic spot beneath the Golden Gate Bridge at the entrance to San Francisco Bay. A photographer’s dream location, the light is always interesting and the compositional opportunities are seemingly endless. I have rolls of film shot here when I was a child, enthusiastically clicking-away in the echoing halls while sight-seeing with my family. I’d love to work with a model or two in this space sometime, but for now I’m content to explore these familiar arching passages and the dramatic setting for structure’s sake.