Lost in the Details | Venice, Italy

Italy is all texture and patina, and in summer the city of Venice is rich with seemingly endless variety; every detail and architectural style basking in the luminous reflected light of warm sun on water.

While I only had a few days to explore Venice, the number of photos I captured there far outnumbered all other locations I visited in Italy. Around every corner was a striking new visual surprise, a glimpse through history, and an invitation to keep walking just a little further…

Accommodations were in a historic palazzo overlooking the Grand Canal, and the rich textures of age and time could be found throughout the halls. From ornate plasterwork and window details to the high-water mark of the historic 1966 flood, carved into the stone door frame.

On one day’s wander toward the university district, I came across a quiet courtyard and art gallery on the campus of the Università Ca’ Foscari; exquisite venetian glass windows and beautiful architecture were a welcome quiet escape from the bustle and heat of the summer crowds just outside the university gates.

Textural brick and stone, plaster, faded paint and layers of patina, all mixed with the cascading light and shadow of winding, narrow passages. Enjoying these details required an acceptance that I would get lost somewhere in the streets of Venice, and it quickly became one of my favourite feelings as I relinquished all sense of direction and simply soaked up the sights.

And on and on…for weeks after visiting Venice, Italy for the first time, I dreamt of being happily lost there, following the winding streets past softly-hued pink and yellow brick walls and ornate, elegant cathedral windows. Find more sun-splashed piazzas, shimmering canals, and Venetian details in my gallery of Venice, Italy images.

My first impressions and more beautiful scenes from Venice, Italy can be found in my blog archives, Venice, Italy : Love at First Light.

Love at First Light | Venice, Italy

Arriving in Venice, Italy is no small task; by plane, train, or car, one must reach the edges of a more familiar modern landscape, and then step onto a boat that will draw one into a world both foreign and familiar. I was immediately entranced by the narrow passages, absence of cars, and sunlight cascading past crumbling walls, illuminating colours and textures that could only exist in a floating ancient city miraculously moored in a marshy, shimmering lagoon.

Everything you have heard about Venice is true. It is romantic, multi-faceted and incomparable. It can also be crowded – there is one other way to arrive in Venice, and that is on a cruise ship – as I work my way through a few other batches of photos from my Italian adventures, I will have some specific observations to offer about that particular mode of travel and the impact it has on these magical places.

I managed to avoid the masses of summer tourists simply by committing to a daily routine of picking a direction, and getting lost in the winding streets of the city. Around every corner interesting architecture, delicious food, and more inviting avenues awaited.

Off-the-beaten-path, grittier scenes could be found, although overall Venice is remarkably tidy, with clean streets and canals. Graffiti is a part of the urban Italian landscape, as it is all over the world, and in some instances it offered unique photographic opportunities.

Staying in a palazzo on the Grand Canal afforded me central access to many different districts of the city, and even within a short distance from the palazzo gates, the variety of cafes, restaurants, shops and sights was abundant. In the evening, the canal glittered with golden light as boats plied romantic sunset waters; I could have sat by the ornate windows and watched the passing gondolas for hours.

From a photographic perspective, Venice is astounding, and of the hundreds of images captured over the course of three days there, I still have many more to edit. See more of my photos from Venice, Italy here, where fine art prints and licensing are also available.

I will be sharing more images and thoughts on this special city, as it was such a remarkable and photogenic experience. I am already thinking about my next visit to Venice, and would love to hear in the comments if you have ever visited and what you might recommend I explore when I return!

Fano, Italy

Where the landscape of pastoral, rolling hills and fortified villages perched on small craggy peaks meets the Adriatic Sea, the ancient city of Fano offers a unique Italian experience, far from the throngs of summer tourists who tour the country.

Charming, narrow, cobblestone streets? Check. Quiet neighbourhoods and bustling market squares? Check. Colourful details, textural walls, doors full of character and the occasional friendly dog in a window? Check.

The first historical mention of Fano dates to 49 BC, when Julius Caeser ruled the region. By 2 AD a wall and large arch had been constructed around the city, which can still be seen today at the main entrance to the older downtown district.

Wandering the streets it is easy to get lost, but taking note of some of the distinctive churches throughout the city can offer useful waypoints. Cafes offer sunny nooks for enjoying an afternoon espresso and around every corner is another arched passage, revealing more colourful buildings and the sort of elegant patina that Italy is known for.

With so much to see in and near Fano, Italy, this city and its history could fill the better part of an Italian vacation. I enjoyed how easily one could find quiet places to explore between the layers of old and new. While many Italians know Fano for its beaches and holiday atmosphere along the waterfront, if one ventures toward the heart of this ancient place, there are many beautiful, meditative moments to be discovered.

See the full set of my photos from Fano, Italy in the APK Photography archives, prints and licensing available.

Colourful Corinaldo | Italy Travel Photography

Sunny village and cobblestone street, with steps leading away down a hill between charming buildings, in Corinaldo, Italy
Looking down a long flight of steps through the charming village of Corinaldo, in the Marche region of Italy

Corinaldo, Italy is a quintessential, charming, enchanting hilltop village in the Province of Ancona. Surrounded by well-preserved 15th century walls, the maze of quiet, narrow cobblestone streets are a welcome escape from more crowded Italian destinations. Simply by wandering with no plan in mind, I was able to indulge in some easy-going documentary travel photography for an afternoon.

The views are remarkable, whether from the ramparts or from the hilltop heart of the town. All around, one can see the lovely pastoral countryside of the Marche region. A little cafe sits at the top of these picturesque steps, and offers a wonderful place to pause for a refreshing drink and lunch.


The array of colourful vintage Italian doors and the textural, faded patina of the buildings provides countless creative photography opportunities, and the sheer variety of door designs were quite remarkable,

As one wanders through a narrow cobblestone passage, the sudden appearance of ancient stone walls can come as a surprising juxtaposition, and when these medieval structures are viewed from slightly further, the position and layout of the village makes even more sense.

A visit to Corinaldo, Italy is highly recommended; it may offer a more intimate Italian experience during the busier travel seasons, and even hosts some remarkable festivals that bring its medieval roots to life. I was only able to spend an afternoon exploring, and as a brief stop on a driving tour of the Marche region it was my favorite experience of the day.

See the full set of my photos from Corinaldo, Italy travel photography in my archives; with prints and licensing available. A collection of door and window photo prints collected while travelling through Italy are also available.

Digital Darkroom Notes | First Steps

Two weeks in Italy is a photographic dream come true – colorful, textural architecture, beautiful sunlight, gorgeous landscapes and coastal scenery. Several memory cards later, after the fun of exploring and photographing is done, the post-processing begins.

Without fail, it appears daunting at first, and over the years I’ve developed a few simple steps that will help with the digital darkroom workflow, making the overall project more manageable.

In my early Lightroom days, organizing photos was an afterthought, but as my archives grew it became imperative that initial sorting happen before editing began. It can be incredibly exciting to dive right into an edit, and occasionally I’ll allow myself the pleasure of a little preliminary editing of an image I’m particularly excited about, h, but for any larger project I try to stick to sorting first, editing after.

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With travel photography, creating collections based on accurate locations is an obvious choice, and in this case I am using a numbered structure to keep the collections in an accurate sequential order. Some of these collections will be refined further as I edit, and this flexibility is part of the beauty of using Lightroom to manage large collections of images.

My first pass through any batch, big or small, is simply to identify viable content and ‘flag’ it. This allows me to filter out the frames that are problematic and to quickly focus my editing attention on the frames that have the greatest potential. I have also flagged some frames that are merely for reference purposes – photos of signs, for example – as I will use those details to build accurate keywords and descriptions, and want those relevant frames to ‘float’ up through the editing process alongside the flagged images.

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Of 2347 total images captured in Italy, I have 1440 flagged. Around 50 of these are reference frames only. Another 100-150 are near-frames, which will require some editing and comparison before I can choose the best from those sequences. Another 50-100 images will be for personal use, shots of family mostly, and will not be included in the final edited batch uploaded to my website. So I am looking at a final edited total of roughly 1100 images, likely closer to 750, as I am constantly paring down my selections during the edit process, so that only the strongest images survive.

Now that these simple first few steps are complete, the work I have ahead of me doesn’t look quite so monumental. I can see that for some of the locations, the edits will be short and sweet, while others will require more time, and I can at-a-glance choose batches of photos for editing based on what kind of time I may have to spend in the digital darkroom on a particular day.

There are many tools and configurations offered by Lightroom and similar programs, to ease the process of organizing large batches of photos, and my workflow continues to evolve with experience. I have worked within the massive archives of other photographers, and managed digital assets in various commercial environments; I am always fascinated by the challenge of finding the organizational structure that best suits the ways in which different minds prefer to work. The biggest lesson over the years has been to pay attention to how my editing and end-use-requirements have changed, and to identify strategic ways of organizing my files, so that my workflow becomes entirely intuitive. What works for me may not work for others, but any approach to refining one’s own digital asset management can benefit from insight into how someone else has solved similar problems.

Now the real fun begins…