The past few months have been full of behind-the-scenes website work, logo updates, and administrative maintenance across my portfolio, print shop, and licensing archives. My blog design has been updated too, to improve readability and more prominently feature my art photography.
Announcing my new online fine art print catalogue with custom framing and wall preview features.
Previously my print sales were through a rather clunky interface, and it was difficult to convey the advantages of the carefully chosen fine art mediums I offer. Now you can preview a selected image as a print, unframed or framed, on archival paper, canvas, metal, or acrylic. See framing options instantly and preview your design on a wall to see if all looks good, before you order. Check out my new print shop here!
Sign-up for my newsletter ‘For the Love of Light’ to receive special discounts, advance notice of limited editions and special content.
I’ve neglected this blog for too long while working through a sea of editing, organization and big personal life changes. Lately I have found that when sitting down to write, the words haven’t been the easiest to come by…good thing I speak best through images!
2018 was a year of big moves; from California to Regina, Saskatchewan in Canada, and then in the last week of the year, another move to Winnipeg, Manitoba. Moving homes is always an ordeal, but to move from one country to another, followed immediately by an unplanned (but much-welcomed) move to yet another city has been challenging to say the least.
My photography has continued throughout these many transitions, with the joy of learning a new camera (the Fuji x100F) and some incredibly photogenic travels to Barbados and Italy. There have also been priceless pockets of time filled by addressing organizational tasks on the administrative side of my photography business, which has set the stage for some big next steps.
2018 was an excellent opportunity for reflection; what do I want to ultimately accomplish with my photographs? Into which kind of photography would I most like to invest my time and energy? Starting from scratch in a new city, what are the obstacles and what will be the advantages?
After two decades of dabbling here and there, with some success in wedding photography, portraiture, and commercial work, my heart has led me back to where it all began; photography as a means of artistic expression and personal exploration. For photographers, it is often said that being a generalist can be a disadvantage. For years I have held onto the notion that I’d rather demonstrate my versatility and flexibility behind the camera, and I have been hesitant to commit to a niche or specialty. 2019 offers an opportunity for a fresh start as I realize (and accept) that perhaps the greatest opportunities will be found by focusing on the kind of imagery that I love the most.
Fine art photography, like most creative pursuits these days, is an incredibly difficult market to crack with ever-diminishing returns. It is a joy to share my photos here on the blog, with stories and behind-the-scenes details that can enrich the visual experience. On Instagram I focus on highlighting recent work alongside photographs from my archives, mixing artistic efforts with my particular flavour of travel photography and personal snapshots. On Facebook I offer a variety of content, and on Flickr I highlight my favourite and most powerful images. Sharing art so freely and widely is a wonderful aspect of our modern, tech-driven world, but by that same token, it has become more difficult in a crowded social media landscape to reach the audience that might purchase a print or two, thus helping to pay my bills and fund future photographic efforts. To that end, I have one simple wish for 2019…
If you like my work, please let me know! Feedback helps me to better understand what resonates and what could be improved, while comments and ‘likes’ can contribute to my reaching an even wider audience. If you love my work, please consider sharing some of it with others who might find it interesting. My greatest challenge is finding an audience, and I know firsthand that word-of-mouth is the best advertising there is.
I am still learning to embrace the idea of being an artist, and for those of you who are creatives on a similar path, I want to share my greatest insight of 2018: we all need advocates and supporters, in some ways even more than we need paying clients. This is not news, and is common modern-marketing knowledge, but as I have refined my workflows and invested in the foundation of my creative endeavours, I have become acutely aware that I too need the help of others in getting my work seen.
As we continue into 2019, I hope you’ll join me on any of the social media platforms you enjoy using. I have listed all of my accounts below; I promise never to spam your feed and I have no plans to embark on a sales-heavy promotional approach.
My creativity is driven by the desire to share the moments and details that I find to be particularly beautiful, bringing an extra bit of wonder and joy to others. My hope for 2019 is to continue building on the gradual momentum of 2018, find a sense of community and connection, and focus my energy on heartfelt work that enriches through both process and finished piece.
Ultimately, it will always be art for art’s sake, and for that experience I am forever grateful; thank you for letting me share it with you!
Pink sunset light mixes with dusky blue sky, reflected by softly rippling water where False Creek meets English Bay on a calm, quiet summer evening in Vancouver.
I captured plenty of general postcard-sunset-scenes, with mountains in the distance or a silhouetted tree to compliment the colours, but I have been particularly pleased with these abstracted photos of the beautiful light skipping across small glassy waves.
This series of blue, pink, and coral sunset water scenes has been added to my ‘Liquid Light’ collection, which highlights photos in which I’ve explored the movement, texture, and abstracted forms of light mixing with water in interesting ways.
Often these dappled, fluid scenes remind me of impressionist paintings, and thanks to a particularly vivid sunset on an evening walk at the aptly named Sunset Beach Park, very little editing was necessary to highlight the contrasting and complimentary colours.
As the light faded from the sky, the colours on the water slipped toward more muted, pastel shades. The form of the waves and sense of movement became more apparent as shadows deepened, and in editing I found that a wider, panoramic choice of cropping brought forward the subtle pattern and abstracted texture of the water’s surface.
During the warm sunny days of October, the trees of Big Sur and Pacific Grove welcome visitors who have traveled great distances to reach clusters of trees along the central California coast; monarch butterflies, with their flashing bold orange and black wings flitting from tree to tree bring an extra bit of magic to an already beautiful place.
Monarch butterflies gathered in Pacific Grove, California, late February 2016
Migrating monarch butterflies gather in the forests of Pacific Grove, California
Seeing one butterfly alone is a beautiful sight, but as the monarch butterflies congregate on mossy branches and in the boughs of cypress and eucalyptus trees, their gathering numbers create a stunning, delicate and lively tapestry of colour and movement.
October is my favourite time of year to camp in Big Sur; one morning as the sun warmed the campsite I sat contemplating the beautiful light and quiet forest, a small group of monarch butterflies flitted through the lower branches overhead, dancing through patches of sunlight as they fed and rested. As their movement is rather unpredictable, I waited patiently as they moved in and out of focus and finally managed to capture the image below of a single butterfly in flight.
A migrating monarch butterfly feeds in the forests of Big Sur, California
Over the years I have visited the spots known for congregations of migrating monarchs, and I have gathered all of my monarch butterfly photographs into one gallery, with many Monarch Butterfly Migration images available for licensing and as fine art prints.
Arriving in Venice, Italy is no small task; by plane, train, or car, one must reach the edges of a more familiar modern landscape, and then step onto a boat that will draw one into a world both foreign and familiar. I was immediately entranced by the narrow passages, absence of cars, and sunlight cascading past crumbling walls, illuminating colours and textures that could only exist in a floating ancient city miraculously moored in a marshy, shimmering lagoon.
Everything you have heard about Venice is true. It is romantic, multi-faceted and incomparable. It can also be crowded – there is one other way to arrive in Venice, and that is on a cruise ship – as I work my way through a few other batches of photos from my Italian adventures, I will have some specific observations to offer about that particular mode of travel and the impact it has on these magical places.
I managed to avoid the masses of summer tourists simply by committing to a daily routine of picking a direction, and getting lost in the winding streets of the city. Around every corner interesting architecture, delicious food, and more inviting avenues awaited.
Off-the-beaten-path, grittier scenes could be found, although overall Venice is remarkably tidy, with clean streets and canals. Graffiti is a part of the urban Italian landscape, as it is all over the world, and in some instances it offered unique photographic opportunities.
Staying in a palazzo on the Grand Canal afforded me central access to many different districts of the city, and even within a short distance from the palazzo gates, the variety of cafes, restaurants, shops and sights was abundant. In the evening, the canal glittered with golden light as boats plied romantic sunset waters; I could have sat by the ornate windows and watched the passing gondolas for hours.
From a photographic perspective, Venice is astounding, and of the hundreds of images captured over the course of three days there, I still have many more to edit. See more of my photos from Venice, Italy here, where fine art prints and licensing are also available.
I will be sharing more images and thoughts on this special city, as it was such a remarkable and photogenic experience. I am already thinking about my next visit to Venice, and would love to hear in the comments if you have ever visited and what you might recommend I explore when I return!
Spring and autumn are rich with photographic inspiration, contrasted in blooming flowers and fresh growth or colourful falling leaves. However, my favourite aspect of these two transitional seasons is the same for both; a shift in the light, imbued with a sense of fleeting, golden time. It never fails to take my breath away, especially as summer slips into fall, and as the sun passes across the sky each day, a little lower in autumn or a little higher in spring, it casts a mood unique to these phases of declination.
These particular photos were captured in the early spring, just before sunset as the warm sunlight filtered through the cool shadows of a forest still waking from winter. I was drawn to the contrast between the bluish tone of the tree trunks and bright bursts of yellow-green leaves caught in the evening glow. Even though this is a springtime scene, it struck an autumnal, contemplative note as I stood in the fading light, trying to capture a sense of the transitional light and layers shifting before my eyes.
Over the years travelling has taught me a few important lessons; I will always pack more than I end up needing, the journey is usually just as remarkable as the destination, and never, ever pass up the chance to spend a few hours in a local botanical garden.
Pukekura Park in New Plymouth, on the west coast of the Taranaki region of New Zealand’s northern island, is a lush jungle of foliage and water. I visited on a quiet Saturday morning in April, and enjoyed wandering the paths as they looped around lakes, past a waterfall, and across the beautiful red Poet’s Bridge, which dates back to 1884.
In some sections of the park, it is easy to forget that one is actually in a bustling small city; the size of the trees and depth of the fern-filled groves were captivating and invited leisurely exploration.
Emerging from a trail through one of these dense forests, a large lily-covered pond is revealed where bright blue Australasian swamphens foraged across the lily pads.
Displayed on the water is a sculpture titled ‘Aotearoa’ by Michael Smithers; Aotearoa is the Maori name for New Zealand, meaning “land of the long white cloud”. A few days after visiting the gardens, while driving south to Wellington from New Plymouth, I saw the namesake beautiful rolling white line of clouds stretch across the landscape.
View more photos from my Pukekura Park, New Zealand experience in my archives, with selected images available for prints and licensing.
Where the landscape of pastoral, rolling hills and fortified villages perched on small craggy peaks meets the Adriatic Sea, the ancient city of Fano offers a unique Italian experience, far from the throngs of summer tourists who tour the country.
Charming, narrow, cobblestone streets? Check. Quiet neighbourhoods and bustling market squares? Check. Colourful details, textural walls, doors full of character and the occasional friendly dog in a window? Check.
The first historical mention of Fano dates to 49 BC, when Julius Caeser ruled the region. By 2 AD a wall and large arch had been constructed around the city, which can still be seen today at the main entrance to the older downtown district.
Wandering the streets it is easy to get lost, but taking note of some of the distinctive churches throughout the city can offer useful waypoints. Cafes offer sunny nooks for enjoying an afternoon espresso and around every corner is another arched passage, revealing more colourful buildings and the sort of elegant patina that Italy is known for.
With so much to see in and near Fano, Italy, this city and its history could fill the better part of an Italian vacation. I enjoyed how easily one could find quiet places to explore between the layers of old and new. While many Italians know Fano for its beaches and holiday atmosphere along the waterfront, if one ventures toward the heart of this ancient place, there are many beautiful, meditative moments to be discovered.
It is that time of year again, with the rumble of engines and smell of race fuel filling the air, the automotive extravaganza known as Monterey Car Week is almost here. I will not be attending the various racing and vintage car show events this year, but I am honouring the occasion with the release of some of my favourite automobilia images from over the years. Find more Monterey Car Week photographs in my archives, with work spanning a decade of races and Concours shows; with both prints and licensing available.
Race fans admire a 1957 Corvette at Laguna Seca during the Reunion events of Monterey Car Week
Spectators admiring vintage automobiles at the Carmel Concours on the Avenue event during Monterey car week are reflected in the windows of a classic Porsche
1912 Packard 30, descending through the corkscrew driven by Brian Blain at the Rolex Monterey Motorsports Reunion during Monterey Car Week
Looking for some artful Automotive Abstract images? I have curated a collection highlighting the details of a wide range of cars, from vintage Porsches and Ferraris to unique hot rods and restoration projects.
Detail of green paint and patina, and chrome hood ornament of a vintage Buick, seen at the Carmel-by-the-Sea Concours on the Avenue event during Monterey Car Week
Dark tones and chrome reflections of a classic car, seen at the Carmel-by-the-Sea Concours on the Avenue event during Monterey Car Week
A 1935 Bugatti Type 57S driven by Jim Hull at the Rolex Monterey Motorsports Reunion during Monterey Car Week
My automotive photography archives cover historic and reunion races, street car shows, and both the Pebble Beach and Carmel Concours events; if there is a particular car you are looking for, please contact me with the details and I will do my best to see if it is included in my library.
Two vintage racecars battle for position on the Laguna Seca racetrack, Monterey CA
A rear angle view of a vintage racing automobile, abstract patterns of light gleaming across the curves of the blue body.
Scenes and details of vintage and classic cars, seen at Laguna Seca during the Historic racing events of Monterey Car Week
Are you lucky enough to be attending Monterey Car Week this year? Here is my post from last year, highlighting some of the most accessible events of the season, including tips on where to catch some remarkable free shows and photographic opportunities: A Photographer’s Guide to Car Week in Monterey, California
HMSA racing participants line up on the starting grid of Laguna Seca Raceway, Monterey
Racecar humor, in the paddock, a 1966 Alfa Romeo Giulia GTV sports eyes over headlights at Laguna Seca during the Reunion events of Monterey Car Week
A powerful racecar kicks up dust as it descends through the notorious Corkscrew section of Laguna Seca, in Monterey
The complete APK Photography Automobilia Archives are full of unique and interesting car culture photos. It has been a pleasure to explore and photograph the world of rare and notable automobiles, and I am looking forward to returning to celebrate Monterey Car Week again in the coming years.
It was on a whim one day, a short drive down the coast from Monterey, California, to see if the rumors were true. Unusual sea creatures washing up, gelatinous, some completely clear, some bright blue, with delicate translucent sails.
Arriving at the beach, at first glance the tangle of kelp appeared to hold tiny circles of tissue paper. As I walked closer to the breaking waves, I saw at my feet small groups of jelly-like forms, some with splashes of vivid color. It quickly became apparent that many of these ocean travellers had washed ashore and dried out for lack of water. Luckily, some fresher specimens remained.
Velella velella have many names, from “sea raft” to “by-the-wind sailor” and are actually colonies of hydroids; each circular cnidarian raft and sail is made up of many hydrozoa, sailing the open ocean propelled by the wind.
A stranding like this one occurs when the wind drives the Velella velella to shore. They are carnivorous, feeding on plankton caught with their dangling tentacles. In the same ocean surface community as the better known Portuguese Man o’ War, Velella velella are likewise toxic but relatively harmless to humans, though they should not be touched or handled if it can be avoided. I chose only to take photographs, crouching in the damp, pebbled beach and kelp as the tide came in, marvelling at such strange natural beauty. I had lived close to the ocean and visited these particular shores often for nearly 10 years, and had never before seen anything like these tiny ocean wanderers.